I'd recently finished binge-watching the first 4 seasons of super-hero anime 'My Hero Academia'. Despite initial reservations after the first episode, I ended up getting into it and really enjoying it. My goal was to create some All Might fan art in a similar style to the Tattooed Goku I'd created a few years back. Here's some work in progress images to show the process:

Digital Sketching

I started with a digital sketch using reference from bodybuilder Jay Cutler who reminded me of All Might. This was then refined and tidied up, adding his "I am here" catchphrase to the banner- a line he must have used a million times in the anime!
Time: 7 Hours to draw

Adding Colour

The first image on the left is probably around 60% through the colouring process. It was getting a bit dark, so brightened it up and added colourful background splatters to finish. I'm happy with how it it turned out- makes a nice little tribute piece to the series 🙂
Time: 10.5 Hours to colour – 17.5 hours total.

[gallery type="square" columns="2" link="none" size="medium" ids="4387,4390"]

If you like the artwork and would like to support my artistic endeavours, I've turned it into an A3 print, available to buy on my store. I've thought about creating and offering shirts featuring this and other designs on my store also- something to explore if there's more interest? In the mean time this design can be bought on a T-Shirt via my TeePublic store.

I wanted to create a couple of new fan art pieces for fun. This year I decided to take a crack at Bowsette and Boosette (aka Booette)- a couple of spin-off meme creations from Nintendo’s Mario game series. The goal was to go full-on kawaii manga style with these two- huge eyes and small mouths.

Digital Sketching

I started with a digital sketch. Using multiple colours helps prevent getting confused by too many messy lines all over the place. After Bowsette was finished, I used her as a template for creating Boosette.
Time: 16 Hours

Neat Outlines

Then came time to clean up the artwork by digitally inking it. I kept the line work pretty thin for this project and not using thicker, heavier lines for the outside or varying line weighs like I might do in previous images.
Time: 11.5 Hours

Flat tones

The next stage is laying down the flat tones. The process of sketch, ink, flats and then rendering the flats is a technique and workflow I’ve been using in digital artwork since the late 90s. It’s a process that works out great for being able to isolate certain colours and parts of an image, keeping the artwork looking tidy and smooth, while retaining the line art, rather than painting over it.
Time: 1.6 Hours

Colours and Shading

Then it’s time to choose colours and a light source. This time light is coming from the centre/ top left. I start with an ‘anime cel’ style to figure out how much shadow the put down and I could leave it at the cel stage by sticking with the flat tones but I’m always too tempted to start rendering and adding gradation to tones. As much as I love anime, I thing I prefer a more rendered artwork look aesthetic.

Finished Artworks

Lots of rendering time later and both are finished. They make a good pair- by having opposing colour schemes- one with red/orange and the other with purple and blue. The artwork is tight and polished, making it suitable for large scale printing with the original images each being close to 14,000 pixels high.
Total time: 56 Hours – 28 hours each.

What’s next? I love experimenting in different styles, so I’ll probably take a break from the Kawaii manga look for a while and try something else. But this project showed me if I ever want to create more artwork in this style, I know I can nail it successfully 😊

Prints for sale

Print sales both online and at comic conventions have increased this year, which is a definite bonus. I've always been a commission artist; taking on projects for both business and individuals alike, and it was only in recent years I'd made some effort to produce art prints to sell. I'm focusing on A3 size and still keeping them at the lower rate of £11.99 on this website, compared to £15-£16 at other online retailers. They'll continue to be sold for this rate for at least the rest of 2019, so head over to the store for last minute Christmas shopping.

Colouring Book

I've more or less just finished working on a colouring book I had been commissioned to create around 3 months ago. The title is 'Manga Unicorns' - Yep, a combination of Unicorns with manga characters! It will be released next year and will post some more info once it's available. To work on a colouring book had been on my to-do list for a long time after the adult colouring book boom started around 3 or 4 years ago but at the time I was still busy finishing The Artist's Guide to Drawing Manga whilst working on my tattoo business. Although now I've finally got one colouring book under my belt, I'm considering working on at least another for 2020.

Tattoos

Despite my website focusing on my illustration and manga artwork, I'm still spending half my time tattooing and like the mix of working with a customer in my studio as well as times to lock myself away and sit in front of the graphics tablet for hours each day. My thought right now is finding time to produce some custom flash (tattoo designs) to pitch to potential customers. You might be surprised at how many people like and want tattoos but don't really know what they want. They often end up settling for whatever is fashionable at the time, so if I can provide an alternative to 'pocket watches' and 'dream catchers' then I'll be able to start cultivating a tattoo portfolio showcasing the artwork I'm best at and like to produce.

Finding the time

Like with many creative types, I think the tough part is often finding enough time to complete the many projects and ideas floating around in my head, and in that to-do list I mentioned earlier! If artworks like the ones above can take 10-20 hours or more to produce, there's only so many images that can be made each month alongside the usual tasks of admin, social media management and client communication. The challenge then becomes trying to narrow down exactly what to work on and when. Taking on new projects is exciting. I just wish there was enough time to turn them all into reality!

Years ago I wrote about one of my early experiences with 'Print on Demand' Site, Society 6. It was short article, mostly to complain about a few problems with S6's platform. Here I'm addressing my experiences, thoughts and issues with a similar site- Design By Humans (DBH). With so many aspiring artists asking me, "how do I make money online?", this should give some insight, or at least a different perspective on this topic, even if it doesn't point the way to the pot of gold every artist is looking for.

What is a Print on Demand (POD) site?

There’s now dozens of online stores/platforms which allow artists and designers to create their own store page and upload their artwork, designs and digital assets to be sold on prints, products such as phone cases and apparel such as t-shirts. A royalty or commission then gets paid to the artist after the store sells, prints and post orders which make use your work.

It seems like a great idea to earn a small passive from income your artwork without needing to develop and run the platform from which you sell it on- you just spend a little time putting the art online (which you may have already have created) and then wait for the money to begin rolling in! Or rather, more often than not, then wait for the tumble-weed to go rolling past!

What is Design By Humans?

It's a USA based POD site, born over a decade ago, which specialised in printing T-shirt designs and has now branched out to offer other products in addition such as prints, stickers and mugs. Several years ago when I first joined the site, it was a small artist's hub offering up designs which other artists and customers alike had voted for in a competition-like format. The voting system generally ensured that everything the site printed and sold featured a quality design worthy of being worn in public. A number of years ago the site updated their business model to allow anyone (artists were initially vetted however) to populate the site with their designs without needing votes, in the same way POD sites like Tee Public and Society 6 work. This now meant artists like myself could at least have the opportunity to sell our designs in a more open market system.
However without the voting system, the quality standard across the site has, in my opinion dropped and without wanting to sound like I'm blowing my own horn, the more professional artists like myself are now firmly in the minority. Both as an artist and consumer, I find this frustrating. The vetting process for designs that DBH now allow is somewhat lacking, which I'll discuss later as it's kind of amusing.

What Does Design By Humans pay?

DBH is one of several POD sites I have experimented with over the years, which does typically earn me at least something each month; even if it's just a couple of bucks. Although it's hard to say whether or not I'd recommend other aspiring artists and designers bothering with it. To format your designs, upload your work through their 'add a product' system and create the relevant keywords to aid search results takes a long time, like with any POD site. And you may not end up being adequately financially compensated for your efforts. Like all ventures of this nature, there's some risk involved and whether or not you'll succeed on such as site is not a simple answer.

As an example- I might upload a design which takes an hour to format into the correct size PNG file, upload and configure. That design might not make a single penny over the course of years. Other designs might make a few dollars, while others still could generate hundreds of dollars. In my experience, generating hundreds of dollars for a design isn't common for most but with POD sites it's worth noting you're playing the long game; you go to the effort of uploading your designs in the beginning and might have to wait a number of years before seeing a significant financial return.

For example, one of my Sugar Skull Girl designs has currently generated me over $50 total on DBH. The design was uploaded nearly two years ago. So let's say the design is earning me $25 a year. Not much, right? But providing the design carries on selling for 10+ years, that's $250 of passive income. Is that worth it to you? You decide. Keep in mind I use this same design across several other POD sites and well as for print sales on my own site or to sell at conventions and events. Therefore when you add up the amount of money this one design makes across different platforms and sales channels over the course of a decade, it's considerably more than if I were to instead work solely as a commission artist who charges, say, $250 for a single, one-off artwork or design which I then never derive any further income from.

To answer the question of pay-out royalty, DBH currently offers a designer around $3 every time they sell a $25 shirt. DBH state they offer competitive rates, which is true compared to some POD sites which only offer a dollar per sale. As an artist, do I think $3 is fair? No way! The only reason a T-shirt sells is because the customer is buying the design on it. While I appreciate Print-On-Demand / order quantities of 1 are going to carry a higher cost to produce compared to a mass-produced shirt printed in the thousands, I'd imagine the artist isn't getting even a third of the net profit on each sale and without the designs us artists provide POD sites wouldn't exist in the first place.
When it comes to retail, the artist, inventor or original creator taking the smaller share for a sale is nothing new and it can equally be true to say; without the opportunity to sell on their site, us artists would also have zero. And so the market determines if DBH's rates are profitable enough for them to run their business whilst satisfying the expectations of enough artists who are willing to give it a go and populate their site.

Are POD sites a reliable money earner?

With all POD sites, you should never rely on them as your primary source of income. Some people seem to have found the magic formula to be able to do this- I know of a few people who make thousands of dollars a month from POD sites, but like with a lot of these types of venture, those people make up a very small percentage of total sellers. For most it's a complete dead-end or just a trickle of passive income you could never expect to live off, especially if living in a first-world country.

While a design has the potential to keep generating a passive income for years, maybe decades, it also has the potential to dry up at any time. The business could cease trading, the search algorithm used to find your design could change (either on-site or via external search engines which point to your designs), or your design could get buried under a pile of other designs which come after it.

Also expect dry spells and more active selling times of the year towards x-mas, where sales will suddenly spike compared to previous months.

Too much garbage

So many POD sites have emerged over recent years, and you can understand why. It seems like the perfect business model: You provide a platform then get online designers and artists to populate it with products for you to sell and make a profit from whilst paying the majority of your work-force (us artists) nothing unless the product sells! And even then, the amount they pay seems a little unfair to the artists. Sure, these POD companies advertise their platform which brings customers to their site, but any business needs to do this regardless. So to reiterate, even though it might be worth artists experimenting with POD sites it's worth noting you'll likely not earn a great deal and the royalty is kinda lousy (even if it is considered the going rate or better for such sites) but if any designer out there is making mega bucks and wants to prove me wrong, great! I love a success story :)

The fact the payouts and earning potential is relatively low for most POD site artists, means many top-end professionals are probably going to avoid bothering with it, and instead it attracts designs from the likes of lazy opportunists, kids, novices or amateurs whose standard of work is pretty bad. Part of DBH's mission statement reads, "Embedded in the culture of Design By Humans is a passion for brilliantly designed tees, detailed illustration and a strong appreciation for all things creative." So while we can try to appreciate the 'all things creative' part, there are a lot of tees which are certainly not brilliantly designed or illustrated in detail. You might be thinking, but isn't that a good thing as it means your work will stand out above the competition? Sure, it's always a bonus if a large portion of your competition on a site is producing sub-par work to make your stuff stand out. However it's not so good when such work pushes your designs to the bottom of the pile, effectively banishing them to page 10+ of an on-site search result and otherwise making them difficult to find.

DBH, like many POD sites are a bit of a free-for-all allowing almost anything to be uploaded and sold. I'm putting a lot of time into my art and designs, bumping up the quality, adding the "detail" and trying to produce something which I think might sell and do well on the site. It's not just me, but any competent artist in this position who can generate sales on DBH deserves to have their work more prominently placed in search results, yet this isn't always the case.
While I agree it's fair to give every designer the opportunity to upload their work, it's not necessarily fair to give equal allowances or privileges to artists of lower ability levels or standards when it comes to a design holding it's place at the top of a search result.
If an artist practices their craft for decades, gets pretty good at it, attempts to get eye-balls on their design and thus potentially make a sale, that's fair enough, right? But it is unfair for an amateur or lazy designer's work to get bumped to the top of the pile whilst pushing down the experienced pro's offering just because the amateur happened to be the last person to post or because they have lots of designs to populate search results. Basically I'm all about fairness and rewarding designers on a meritocratic basis.

To some degree this issue could be mitigated during the submissions process. Once upon a time DBH only used to allow artists to open a store if they could prove their artistic worth (perhaps they still do, but people are now lying about their credentials?). But I don't think that's the case any more, and I'll show you what I mean below. Therefore the design submission process needs to be a little stricter in regards to quality control.

Examples:

I did a general search for "anime girl" since I've listed several designs with those keywords and here's some of the not-so-great examples of what came up within the first 10 pages, much of which frustratingly pushes my artworks/products further down the search results list:

[caption id="attachment_4171" align="aligncenter" width="660"] Not formatted for a T-shirt[/caption]

[caption id="attachment_4172" align="aligncenter" width="660"] Again, not formatted for a shirt[/caption]

[caption id="attachment_4173" align="aligncenter" width="660"] The emotion is conveyed at least[/caption]

[caption id="attachment_4174" align="aligncenter" width="660"] A poor copy of existing character art?[/caption]

[caption id="attachment_4175" align="aligncenter" width="660"] This style is better suited elsewhere[/caption]

[caption id="attachment_4176" align="aligncenter" width="660"] Not at the commercial level yet[/caption]

[caption id="attachment_4177" align="aligncenter" width="660"] How did this pass quality control?[/caption]

[caption id="attachment_4178" align="aligncenter" width="660"] This seller posted 4 near identical versions of this stolen and poorly optimised art! Why?![/caption]

[caption id="attachment_4179" align="aligncenter" width="660"] This artist also uses other artist's stolen artwork in their store[/caption]

[caption id="attachment_4180" align="aligncenter" width="660"] Consistent style but...[/caption]

"But Ben, who are you to judge? Art/beauty is subjective". That argument doesn't apply in many cases. The artistic rules such as anatomy, proportion, lighting, rendering, colour theory, composition and style apply regardless. By all means draw, paint and design no-matter your level of experience or ability, but please re-consider attempting to profit from what you're doing if you've never encountered the rules above. On the flip side, there are some worthy designs listed also. Again, searching for the keywords "anime girl". And like I say, if you can't tell the difference between the 10 examples above and the 5 below, you shouldn't be looking to sell your artwork or designs on T-Shirts just yet. Level up your skills and come back when you have something of value to offer. And I'll just take this opportunity to make the point that I don't want to appear conceited about my own abilities. My work is by no means perfect but it's good enough to sell, and does.

[caption id="attachment_4181" align="aligncenter" width="660"] Colourful, nicely composed design. Seller: Retkikosmos[/caption]

[caption id="attachment_4182" align="aligncenter" width="660"] This guy's a master of exaggerated proportion and anatomy. Seller: Rafchu [/caption]

[caption id="attachment_4183" align="aligncenter" width="660"] Art by yours truly: Seller: bomazu[/caption]

[caption id="attachment_4184" align="aligncenter" width="660"] Looks good on a shirt and artist has a consistent style in their store. Seller: Freeminds[/caption]

[caption id="attachment_4185" align="aligncenter" width="660"] This is a cute sticker. Seller: Cayzi[/caption]

I guess ideally DBH expects you, the artist to direct customers to your unique DBH Store page and bypass the need to use their search engine? Personally, if I'm going to market my designs as well, I'd rather direct customers to my own website and have the designs printed myself, or use a drop-shipping service to do this on my behalf. I expect POD sites to direct traffic to my products if they're taking the lion's share of the profits.

What does DBH get right?

My intention isn't just to hunt down all the flaws with their platform and the site has some benefits over similar sites I've worked with:

No pay-out threshold: Some sites, such as Displate and Zazzle require you to earn $50 before they pay you YOUR money. DBH don't try to unfairly skim off the top from their designers and always pay monthly no matter how much you've earned.
Decent Support: I've contacted the staff on several occasions and they've always been helpful and try to resolve problems.
Quality T-shirts: I've bought a number of shirts from DBH in the past and the quality and fit has always been good.
Less Piracy: Some moderation takes place to limit the number of stolen, infringed designs being sold on their site. There's nothing worse than a huge free-for all POD site such as Red Bubble which is happy to allow art thieves to profit from re-posting art they pull from an internet image search. DBH still has too much of this, but not in such high numbers.
Measures to prevent art thieves: Unfortunately It's not uncommon for artists to upload their design to a POD site, for it to then be stolen/downloaded some time after by an immoral dick-head who re-posts it on another POD site without consent. Luckily DBH used low-res images in their store, making this harder to download and use elsewhere.

Final thoughts

DBH- a nice idea and company filled with lovely staff, I'm sure. It creates opportunities to make money which artists wouldn't otherwise have, but the experience of competing on the site can be frustrating and isn't something you'll ever get rich from. If it's not for the fact you're up against the selection of dominant 'popular designs' (which forever prevent new work getting noticed by ranking top of the search listings,) you're also having to deal with the site's many amateur designers and art thieves unfairly given a place at the table. I'll carry on supporting DBH and using their site, but can't give them a strong recommendation to other artists or designers. Making any money from them is too hit and miss.

For independent reviews of designs, shirt quality and POD sites themselves, Check out Teefetch. I stumbled across them recently and noticed the site had featured some favourable reviews on a couple of my own designs which was cool to see.

And feel free to click here if you want to check out the range of anime or tattoo inspired t-shirts and I have available on DBH which features artwork from yours truly. If you wan't to purchase one too, I'll greatly appreciate the $3 of royalty!

Some anime inspired prints are listed in the site's shop including: Mokoto and friends from Ghost in the Shell, Tattooed Goku and Kitty anime girl along with other artwork creations by yours truly. Each print is individually signed and dated (with the year), and can add a name or sign the back rather than the front if you want to keep it tidy- just add a note in the order box and I'll do my best to accommodate each order :)
For now I'm keeping the prices at £11.99 (currently around $15.50 in US dollars) which I'm considering to be an introductory price, and they may rise to £14.99 in the future. These aren't mass produced or are big, bulk orders, so each time a sale comes in I need to manually pack the work and drive to the post office to get it shipped out and think £14.99 is a reasonable price for art and print collectors to pay who can't get to me at the occasional comic con I attend each year here in the UK.

If you'd like to purchase more than 1, I'm also running an offer: 3 prints for for £24.99. Just mention the names of the prints you'd like (currently available in the store) when you get to the order checkout stage and I'll have them sent together. This is pretty much a buy 2 get 1 free offer, saving £10.98 along with reduced shipping cost if buying individually.

And speaking of shipping and postage costs, it's £3 to send a single print in the UK and £8 to the USA for example. I don't make any profit on shipping. If anything, a small loss but I know how annoying shipping costs can be so want to keep this as low as I can.

Here's a cropped and grouped collection of some of my digital art. Some bits dating back to as early as 2001 and others I'd done over recent years. Kind of interesting to see the different styles I've played with over the decades and crazy to think how long I've been doing the whole art thing for. It seems pretty common for artists to look at their older artwork with shame and embarrassment, but while I might notice a few flaws and things I'd do little different now, to be honest, I still kinda like a lot of it. 

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Any Ghost in the Shell fans?

I started working on a new bit of fanart a while back and thought it was about time I added some progress shots to my blog. I've been a fan of Shirow's (Creator of the Ghost in the Shell manga) work for 25 years or so. The first anime movie wasn't bad, but think they really managed to nail it with the 'Ghost in the Shell: Stand Alone Complex' anime series. Complex is a good word for it as it's not your typical, basic 'good vs evil' plot, but something I'd recommend to older audiences who want a Sci-fi series with a little more depth and intricacy. I wanted to pay some homage to the G.I.T.S. Solid State Society series with this artwork.

[caption id="attachment_3794" align="alignnone" width="750"] I usually start sketching in blue. This time straight into Photoshop. I want to go detailed with this piece so using a lot of reference to help out. The orange fade is just to stop it looking a bit dull, but I'd work with blue onto a white canvas.[/caption]

[caption id="attachment_3795" align="alignnone" width="750"] Finished refining the line work for Ghost in the Shell's main male character, Batou. I'll just add, I didn't particularly like him in the GITS live action movie. I didn't really like the movie in general, but I guess worth a watch and helped introduce the mainstream to the franchise.[/caption]

[caption id="attachment_3796" align="alignnone" width="750"] Finished refining the line work for Ghost in the Shell's main character, Major Motoko Kusanagi and Tachicoma robot behind.[/caption]

[caption id="attachment_3798" align="alignnone" width="750"] Finished laying down the base colours. Some artists might leave it there but I don't like the way art looks before I start rendering and adjusting the colour pallet.[/caption]

[caption id="attachment_3797" align="alignnone" width="750"] Began rendering. Usually I'll work my way through rendering each colour, then I'll begin adjusting the pallet, tones and contrast afterwards. It'll be several more hours until I'm finished with this one!..[/caption]

[caption id="attachment_3793" align="alignnone" width="750"] On the last stretch to finishing, making some tweaks to the Major by zooming in. Here you can see me drawing on a Wacom Cintiq 27QHD.[/caption]

[caption id="attachment_3541" align="alignnone" width="940"] Here is the finished Ghost in the Shell artwork. Took around 3 weeks, but finally done :)[/caption]

Thanks for following through the progress with this one. If you happen to be a Ghost in the Shell fan and would like to support the work I do, feel free to head over to the shop and make a purchase. I currently have this one for sale as a signed A3 sized gloss print. If you'd be interested in seeing any more progress blog posts, let me know with a comment. I usually post works in progress first on Instagram and social media, so you can head over there if you're interested in seeing what I'm currently getting up to :)

Someone on social media asked how the could buy me a coffee (donate) to support what I do. Like any artist, I really appreciate any support from those who like my work. The best way to support would be to buy some signed artwork from the shop plus you'd have something cool to show for it. I've added a few new prints including my Alita and Harley Quinn marker pieces. And if you want some custom-made artwork, check out the Hire Me section for more info.

Sometimes I'll create a sketch or two, other times more finished artworks, but most of the time I don't add these to my main gallery. I'm trying to reserve the gallery for my top 30 or so works but it's hard to know exactly which art to include in my portfolio. For now I use the Blog to update with other bits and pieces I'm working on. But even on the blog, it can be tricky to know if something is worth posting. I'll draw little doodles and crappy sketches often, but don't necessarily want to post every little thing and don't want to feel I'm contributing the internet's archive of pointless content! I think about this a lot- There's so much stuff on the web, so what is actually worth posting online?

For many companies, organisations and individual artists the idea is to post often in hopes of supplying your audience with a constant supply of content and sustaining yourself as a fixture in their lives, build some kind of online relationship, and in return you hope gain a following, receive kudos or generate income. For independent creators it can be difficult to post regularly or create enough finished content. So on the one hand I feel like I should throw up some rough sketches or incomplete drawings, since posting something is considered better than nothing. On the other hand, I don't want to litter the web or my sites with valueless (in my opinion) posts just for the sake of posting. Plus, to be honest, I don't like the pressure of feeling like I have to keep posting updates online.

Another thing, I'd be happy to post more on my site's blog (here) since I have a chance to go into more detail about what I'm doing or thinking (or also keep it simple), but 99% of my audiences are mostly on social media - primarily Instagram. And Instagram's format isn't really suitable for more than a square image post and a line or two of description. Unless this blog was to get more attention, it's hard to justify spending too much time posting here often. Therefore, for now I don't.

Moving on, having said that, here's a piece I'd been wanting to rework for a few years:

The Photoshop screen shot above shows the original concept on the left, and the update on the right. Decided I'd make the final version below a little lighter and although it's a little sketchy and unrefined, I think I'll leave it as it is for now. Not all ideas or art needs to be polished to perfection.

From time to time I like to tidy up my portfolio. Never an easy task to decide which works stay and which ones go and there's usually at least one thing I like about every image I create and one thing that demonstrates a different skill or technique I'm capable of. Originally my portfolio was only ever going to be around a dozen pieces, but my gallery layout allows for more without looking over the top so decided to populate it with some extra works.

Decided to remove this ninja girl commission I did back in 2013- seems a little basic compared to some of the more recent stuff I've been doing but still like the bold red background and the flower boarder, so maybe I'll use those elements in a new piece some time?

And I've added the following:
Harley Quin Fan art I did this year in Markers and Ink which I since sold to a customer in France. Plus a more monochromatic Skull/Wolf/Girl image I created for chrome/mirror prints (which can be ordered in the Shop) This one was done in Photoshop CC with my Wacom Cintiq tablet. That now makes 31 portfolio pieces.

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