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Art Q and A #5

by Ben January 12, 2019 in Art Talk 0 comments tags: #arttalk, art talk, q and a

Art Questions

 

What do you listen to while you draw?

For me personally it depends on my concentration level. For maximum concentration when working on challenging artwork, silence is best. When things ease up, instrumental music (no lyrics). Songs with lyrics or Podcasts are for when I draw something more routine when my brain is in less demand and I’m more able to take in information.

 

How to you make sure inked art doesn't smudge?

How on earth do you make your drawings so clean? Whenever I erase the pencil lines on mine, it smudges.

I know the feeling. Smudges are so annoying and I still get them from time to time. I usually wait a few hours before erasing pencil lines to make sure the ink is dry. Another tip is to carefully sandwiching a piece of toilet paper or paper towel between sketchbook pages can help it dry quicker and reduce smudges. Too much graphite from pencil lines can cause the ink to sit on top of it and then smears, so lighter or less pencil strokes can help. And lastly, try experimenting with different pens and papers. As soon as you find a good combination, you know you're good to go for life.

 

Photoshop Alternatives?

For those of us who can't get to Photoshop, what tools (color pencils, marker, paint or etc...) have you worked with to get really bright/shiny colors?

You can get bright and shiny colours with all of those. Although for deep, solid colour I'd choose to go with acrylic paint. Markers can look a little watery and pencil can sometimes look grainy, depending on the type of pencils and paper you use. Paint definitely takes the most practice. With paint it's more a case of working with larger brushes and areas before focusing on and refining details. Where as markers are more consistent, whereby you'd more likely finish a smaller area of the artwork at a time before moving on to the next area. Perhaps I'll create some basic tutorials on these if there's enough interest :)

 

Do I need a Drawing Glove for my Digital Art?

Are those artist gloves necessary? If so, how do they benefit you? (Been thinking about getting one.)

Originally smudge guard gloves were used to prevent graphite smudges on paper then became a thing for digital artist to minimise friction and to avoid a sweaty hands on a graphics tablet - particularly screen based tablets like a Cintiq.
If I'm just doing, say, 20 minutes of touch ups I don't put mine on, but for longer sittings I find it very useful.
Just gotta ask yourself, are you finding it a bit annoying when your hand or fingers aren't gliding around the screen so much? If so, buy one and try it out. They're not too expensive and come as single gloves (not a pair) with either one (pinky) or two fingers covered (pinky and ring finger).

 

How do I bring my characters to to life- giving them personality and story time?

You could try writing down what you want from a character before even putting pencil to paper. Ask the question- what do they do and what to they want out of life? Then ask yourself how could I represent this?
For example, a mechanic will be dressed more practically and isn’t going to be too concerned if they look dishevelled and dirty, where as a princess from an upper-class aristocracy will more likely be well-presented, perhaps with a big, flowing dress where practicality is secondary. Are they lazy or indifferent? Determined and ambitious? Happy and energetic? These traits can effect their pose, facial expression or even physique.

I think once you can build a mental picture of what you want from your character, you can then start sketching with an objective and you’ll have something specific to aim for, opposed to doodling without any focus.

 

What type of art request do you immediately say no to? Regardless of whether you're being paid or not?

I'll turn down anyone who uses the line "I won't pay you but It'll be great exposure for you". They might as well just say, "I don't like to adequately compensate professionals for their time and expertise and I think artists are so dumb and worthless that they will settle for a credit in a project no one's ever heard or probably never will".

 

~~~

If there's a question you'd like answered relating to art, or digital illustration, feel free to contact me or leave a comment. 

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Art Q and A #4

by Ben December 29, 2018 in Art Talk 0 comments tags: #arttalk, art talk, q and a

Art Questions

 

How do you become an actual artist?

Becoming any kind of pro (proficient) basically means you’ve worked your arse off to a level where you can either impress a substantial amount of people with your skills or be good enough to make an income from what you do. Doing so as an artist just takes a lot of practice and understanding of your craft- how to make things look beautiful, and/or communicate well. Once you’re there, it’s time to market yourself and your work so people know you exist

 

How do I become a manga artist?

I’m sorry if I’m intruding you with these questions and you don’t have to answer if you don’t want to but I was wondering how did you start your business as a mangaka? How did you get contacts and create these guide books that’s able to sell worldwide? I’m a total newbie when it comes to this so I was hoping to get some tips and insights on how to start business and broaden it myself, thanks a lot! ^_^ 

Thanks for the question and you're not intruding at all. The way I got my stuff published was kind of unconventional. I don’t want to lie to people or give the usual non-specific BS of “work hard at school and it’ll all pay off” or “post your work on the internet and perhaps you’ll be discovered by a publisher” - That one almost NEVER happens in this day and age I’m afraid. 

However, luckily that did happen to me. The difference being, I got my first book published back in the day when the internet was still a baby and there wasn’t much competition- a publisher happened to be on the look-out for a UK based artist who could draw manga style and I happened to have a portfolio website online which ranked on the first few pages of Google (I’d image for the keywords “UK manga artist”). They found me, asked if I’d be interested in working with them and even though I felt my artistic standard wasn’t up to scratch I took the opportunity anyway and it then led to creating 3 other books over the years…

So for me- it was a case of creating artwork, posting it online, then a simple case of luck! Being in the right place at the right time. Also being willing to take the opportunity that arose.

What can you do? 

Luck can happen at any time, so in the mean time, I’d suggest improving your skills and being patient. Everyone’s path to success will differ. There’s the social media route to raise your profile and allow people to find you- Some develop a Youtube channel and invest 1000s of hours into creating unique content for it, others Instagram, Tumblr, Facebook, or art specific sites like Deviantart and Behance. Or try being bold- write to publishers and companies directly to pitch your ideas and portfolio and expect 100 rejection letters or non-responses before you succeed, or if that doesn’t work, move on to something else. I’d say just keep trying things. Think outside the box. For most artists expect a massive chunk of your time to go into marketing, trial and error business ventures or experiments in order to get noticed or profit from your art. Or maybe you’ll also find some luck. Perhaps entering a competition to create a serialized manga, which ends up landing you a full-time gig? Look out for stuff like that too.

 

Where can I purchase cheap bulk Prints?

I recently went to an art market/mini Comicon thing in my hometown, and I'm thinking about selling some of my stuff there next year. But then I thought....how do I get cheap bulk prints of my work to sell there? Any suggestions?

Great- Give it a go! I'm always interested to hear how people get on at events. So far as prints go, I have a large format printer so can print my own. This helps since I can produce small quantities to test the waters and not over-stock. Googling ‘custom poster prints’ or ‘giclee prints company’ in your country might be the way to go. Searching for those terms on eBay might even be an idea.

 

How much does your art cost?

I have prints and original pencil drawings available to buy at in the Shop.

If you’d like to commission me to draw your character, logo, mascot, or work on your project, the best thing to do is send me a brief/description of what you’d like and I can provide a quote. A head shot for example might be less than half the price of a full-body image so it’s it’s best if I give a price once I know what needs creating. Head over to the Hire Me section for me info.

 

~~~

If there's a question you'd like answered relating to art, or digital illustration, feel free to contact me or leave a comment. 

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Art Q and A #3

by Ben December 08, 2018 in Art Talk 0 comments tags: #arttalk, art talk, q and a

Art Questions
 

How should I handle criticisms of my design?

Every artist will get criticised at some point- it’s to be expected. And it’s common for clients to not be satisfied with your work on the first attempt every time. Even though it’s often not personal, I always still find it frustrating when having produced a great piece of work (as far as I’m concerned) to then be told it needs amending. If a client is stressing me out with changes and criticisms, I take a break, talk to my friends or do something else for a while to calm myself down. If it’s trolling, you have to do your best to ignore it.

 

Do you work individually or do you work with other team of designers?

Almost always I’m on my own, which is the nature of freelancing. I’ve worked in-house on web design projects in the past, but these days it’s not common. I might liaise with another graphic designer or art director, but this is often only ever over email.

 

Have you worked with any print media before?

Many times. Other than my how-to books, I’ve created art and designs for magazine covers, posters, leaflets, apparel and gift items. There are certain considerations to think about when working for print compared to web, for example; print resolution, colours models such as CMYK, calibrating your screen and digital set up to mirror print profiles and reproduce your work as accurately as possible. I explain these in my book ‘Digital Manga’.

 

How have you been able to manage your time ensuring you have time for your family and friends?

It can be difficult when you freelance- you don’t always have the opportunity to work set hours. If there are deadlines to meet, you must work long days to compete the task. However, I also get quiet periods when there is not much work and I use those times for social and leisure time.

Having said that, I make sure not to overload myself and not work those crazy long hour days if I can help it. I’d rather have less money and a life than become a work machine.

 

Are there other people's designs that you admire, what is unique about their designs?

Sure. I love looking at art even more than producing my own! I’m a big fan of both eastern manga artists, and western comic artists, illustrators, graphic designers, tattoo artists and concept artists.  Too many to name.

The uniqueness is hard to pin point. It often comes from the attention to detail and flourishes added which gives the creation more depth, interest and vibrancy than a typical, bland piece of work.

 

What are the major qualities of a good artist/designer?

Every designer will have their own unique qualities and skills they can bring to a project. Universally we all share a love for art, visual communication, creating and aesthetics. A good artist is never satisfied with their current level of ability and aspires to improve and achieve a high standard of work.

 

~~~

If there's a question you'd like answered relating to art, or digital illustration, feel free to contact me or leave a comment.

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Art Q and A #2

by Ben November 10, 2018 in Art Talk 0 comments tags: #arttalk, art talk, q and a

Art Questions

 

Getting paid to draw in Manga style?

Since you're a freelance, is it difficult for you to find companies in the UK interested in manga drawings and style?

Its harder to find work compared to a more mainstream style (which I also have for customers who want an alternative to manga). However there is often a company or organisation who will find and contact me specifically asking for manga style artwork for a Japanese themed promotion or event. Speaking of events for example, Hitachi Europe (based in the UK) were exhibiting at a trade show in Holland a few years back and they had opted for a Japanese themed area that year to display their products. These included interactive large screen pen displays. To add to the Japanese flavour, I was hired to draw manga style art on the displays during the event in real time. I would never have expected that kind of work to come about, but goes to show there's a call for manga, even at non-related events. Having this website is the main portal for connecting me with customers. If you haven't already, make one of your own and then attempt to funnel as many prospective employers to it as you can.

 

Are you a fan of Comic Cons? Do you participate in any of them?

I really enjoy them, although attending lots throughout the year isn't economically viable for me.

I've participated in 17 cons here in the UK to date. If you're an artist interested in participating in any comic conventions, check out my extensive UK Comic Con article.

 

Should I sketch my designs before converting them to digital format?

Several years ago it was typical for me to sketch out all my work in pencil before scanning it in and colouring it digitally.  To this day there's nothing wrong with that. These days a lot of people are drawing and sketching digitally with a graphic tablet as well colouring, rendering and painting over the top digitally- myself included. The main reason being time saving. The best thing to do is to try different methods and see which works best for you.

 

How long should it take a designer to design a 300x400 banner?

That question is too open ended to give a simple or specific answer.

If the designer needs to create an intricate illustration, rendered art or animation as a part of that banner along with time for research, idea development and input or changes from a client, it might take 20 or 100 hours+ However a simple text banner created by someone who knows their way around Photoshop or Illustrator might take 5 minutes.

Clients need to consider their briefs in detail when hiring an artist or designer. Basic questions like "how much do you charge?" Or "how long does art take?" Are equivalent to "how long is a piece of string?"

 

What inspired you to get into designing?

Growing up on a diet of visual entertainment- cartoons, video games and fantasy movies along with a love of aesthetics and a drive to create something of my own.

 

At what age did you first design a marketable graphic?

The first time I took on a paid commission online was in 2001 when I was 19. I created an album cover for a rock band featuring the 4 band members as comic book characters. I think I earned around £80 for it. I had been paid to draw a few times before then while at school, painting a little graffiti style character for my teacher's grandchild and a painting my friend's mum's cat!

 

~~~

If there's a question you'd like answered relating to art, or digital illustration, feel free to contact me or leave a comment. Check out Art Q&A #1 for more.

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