The 'Choosing what to create' dilemma

You want to make something. You sit there in front of an empty canvas, a blank sheet of paper, or digital file. What do you put on it?

There's an infinite amount of potential colour or line combinations you could create. And even if you have something in mind, like a drawing of your pet, there's endless styles, perspectives, and ways of taking on the task. Making the perfect choice and taking the most correct path is impossible. There is no correct path.

It seems like you have three choices:

1. Wait patiently for your internal muse to inspire you.
2. Start doing something immediately and hope for the best.
3. Get overwhelmed at your limitless ideas and possible directions to go in, subsequently having a complete meltdown.

I tend to do a combination of all three! Although I wouldn't consider them much of a choice. Sometimes it just depends where you're starting from. For example, if you're in the habit of focusing and creating on a daily basis, starting on the next thing isn't going to be as taxing compared to when you've had a long break away from it. Getting back into the habit to begin with is often half the battle. Knowing the general direction you want to head in also helps.

But what happens when the muse has left you, the goal is unclear, and overwhelm is kicking in?

Right now, I'm at a point where I don't know what to do for the best. Both so far as knowing what type of art to create, and also what steps to take in order to survive financially.

I'm supposed to be a professional, yet I'm stuck

Over the years, I've created thousands of artworks, graphics, and illustrations. Identifying as an artist is a huge part of who I am. Therefore, shouldn't it be easy to know what to do next?

This year I've begun feeling like "I'm done." Or that "I just don't know what else to do."

When it comes to ability, there's always room for improvement. I'm nowhere near the level of skill or talent I'd wish for. No artist ever is. But I feel like I've somewhat plateaued. Reached my limit. Peaked. Or perhaps gone as far as I am willing?

When I was a kid, I used to love 80s and 90s video and game box art like the ones above. I'd often draw my own sci-fi and fantasy characters based on this kind of stuff. It was great! Even though I was a million miles away, skill-wise, it didn't matter. I used to wonder, "Maybe one day I'll be pro and good enough to create box art for games like this?"

I'm sure creating art for relatively unknown B-movies and obscure games back then wasn't a glamorous job or particularly lucrative. No doubt I would have been better off training to become a doctor or something. I didn't know. I didn't care. If I could just create artwork on the same level, I would have achieved my life's dream!

Fast forward to 2024, and I'm now at a point in my life where I look at these and think, "I could actually do that!" Although the first cover in particular (Mirai Ninja) is still pretty badass!

Granted, the bar for this genre of art has risen massively over recent decades. I often see a million other pros out there producing next-level, mind-blowing images. But the goal was never to be the greatest of all time. I just wanted to feel like my artwork was on par with the box art I used to admire all those years ago. Now I do. See examples below. Considering where I started, the personal obstacles I've had to overcome, and my lack of genuine talent, I'm seriously proud of what I've managed to achieve.

I've reached the goal. More or less. Although imposter syndrome kicks in often and I start to doubt myself. Am I actually any good? Was it all just luck? I still don't really know what I'm doing!

So why am I concerned, frustrated, confused, and lacking direction? It must be because I've finally reached a huge milestone in my life, and yet at the same time, surviving as an artist got harder!

Let me explain my current situation

There are a million different art styles I've fallen in love with over the years, but for the most part I ended up going down the comic and anime route. Particularly, recent years were spent concentrating on anime fan art to sell as prints at comic conventions and online. It took a few attempts to get right, but eventually people started buying my work. It was awesome. I'd gone from producing How-To-Draw Manga books, which required hundreds of drawings, thousands of lines of text and several months of my time, to making single art prints, which sold at a similar price point to a book. And despite young talent rising all the time, I could still compete as a now 'old-skool' artist in his 40s.

Then it went bad. Even though my skills and product range are better than ever, selling art has become much, much harder. Due to increased competition, the rise of AI, and soaring living costs, I've seen my sales decrease by 70% in recent years. Paying bills and making a modest living solely from art has become difficult, to say the least!

I could continue to push out a new fan art piece every so often, but there's no way adding more of the same would get sales back up by 70% or beyond. Even if I were to double my output.

How should an artist spend their time?

To reiterate the title of this post, what the hell are artists supposed to do? What is the best way to invest our time? What should we be creating? How much time should we devote to the different aspects of our business, i.e. making, sourcing materials, promotion, and so on?

We live in an age where the answers to these questions are never far away. Ask Google or Youtube "how to be a professional artist" or "how to run an art business," and you'll find plenty of advice. But will that advice help YOU? The trouble with advice is that it's either middle-of-the-road general statements that anyone with an average IQ could have worked out for themselves, or it's specific to the advice giver's very particular situation.

What I personally want to know is, where do I, Ben Krefta, go from here? Given the fact I've done a load of stuff and lived on this earth for over four decades, what should my next move be?

I tried some things

They said to create a website. So, I invested several months learning graphic design and how to code and made a site. I then worked as a web designer for a number of years before making myself a new one.

They said get on social media, so I got on Facebook, Instagram, Twitter/X, Pinterest, Tumblr, Deviant Art, Art Station, Cara, Youtube, and TikTok. Missed SnapChat, but that's fine with me! When a following didn't present itself, they said to post consistently and engage with your followers. So I did, for years. I posted thousands of times and responded to thousands of posts and comments.

They said sell your products online. So I created Etsy stores, Amazon stores, an eBay shop, and a WooCommerce store on my own website. I also added several thousand products to print-on-demand sites like Zazzle, Society6, Displate, and Spreadshirt. (Check out my DesignbyHumans article for more about this.)

They said get offline and exhibit at comic conventions. By the end of this year, I would have attended 42 of them.

Despite doing what was expected of me, there was never a time where I felt successful. Where I had the opportunity to spend my work time doing the jobs I wanted, or earning enough money to keep a roof over my head and pay the bills. The inevitable consequence of that is to feel cheated, like a failure, that something went wrong. Maybe I was too dumb to notice my shortcomings? Maybe the world is against me!

I may not feel successful as a person overall, but I appreciate the fact I've had successes with the endeavours listed above. Without my first website, I would have never landed my first, albeit low-paying book project. Without setting up the stores, I wouldn't have sold over 5000 art prints or print-on-demand products. Increasing my follower count to 50K across my various socials probably even helped validate my application to comic cons and events.

What next

I am still learning what the hell I'm supposed to do. Although at this point in my career, I'd hope to continue pursuing selling my art in some capacity, as opposed to taking on work for hire.

Right now, this means needing to sell hundreds of prints every month in order to pay the bills. Yet anime fan art, at least in the style or to the standard I've been producing, no longer sells. Continuing to do the things I've been doing up until now simply isn't working...

I ask myself, "Why create another fan art to sell, if virtually no one cares? Why invest work hours into maintaining a website or social media presence if it can't generate a living?" Sure, there's nothing wrong with making art or posting online as a hobby, but this isn't a hobby for me. My hobbies are rock climbing and video games. Art is one of the only 'practical' skills I have, so I'm desperate to find a way to make the most of it and provide value to the world.

I'm trying to work out if the things I've attempted just need tweaking and improving, or if a new direction is necessary.

It seems clear that the content (the images I'm producing) or products (e.g. prints and t-shirts) I'm offering aren't quite hitting the mark. People still buy my artwork at events, or online, and I'm fairly certain there are future customers out there who'd love to get their hands on the things I'm producing. If only I could get their eyeballs on my art. Although, for the most part, the product range and certainly the content needs a fairly drastic change.

As for the promotional side of things, I'll need to try a new approach also. Social media posting, blogging, vlogging, or running ads like I have been isn't effective when it comes to selling. The competition is relentlessly grabbing attention with click bait, catchy hooks, psychological manipulation, or finding new ways to exploit a platform's algorithm. Meanwhile, half my posts are just 'me showing a thing I did'! I'm coming to terms with the fact that a pretty illustration or artwork is just an AI image prompt away. And so, now you need to combine the presentation of artwork with entertainment, education, or human connection.

This might all sound obvious, but I grew up believing in the "Build it and they will come" philosophy. I thought if I could just draw 'Rotox' (see image above), I'd be set for life! Perhaps if you or the thing you do is phenomenal, that philosophy still holds true. For the rest of us, it seems we need to work a little harder. And smarter. I've arrived a little late to the party, and there's a lot of catching up to do.

From here, I'll start figuring out how much time to devote to creating new projects and products and then learn how best to promote them. I'll update in future posts, so stay tuned.

MBTI and Art

Much of my life has been spent attempting to understand both myself and the world I inhabit. Part of this journey of discovery involved reading up on Psychology related topics where I'd learnt about the MBTI (Myres-Briggs Type Indicator). It's a test to reveal which 1 of 16 specific personality types you resemble. You can take the test here if you're interested in seeing which type you belong to.

My type? INTJ. I'm a person with the Introverted (I), Intuitive (N), Thinking (T), and Judging (J) personality traits.

"These thoughtful tacticians love perfecting the details of life, applying creativity and rationality to everything they do. Their inner world is often a private, complex one", says 16personalities.com.

Are all INJTs artists? From what I've found, most aren't! INTJs like myself are usually given the label of 'Architect' or 'Strategist'. I should be the type to work as a scientist or analyst, playing chess and reading technical books for fun. While I do enjoy analysing things, playing board games and would often rather read a manual or something more factual than fiction, I also love art and design. Rather 'ISFP' types are often considered to have the artist personality type in the MBTI world.

As a side-note, 'Psychology Junkie' assigned a Myres-Briggs type to a list of famous fine artists with different personalities on their site. It's interesting but may not be completely accurate. It at least highlights the fact that no matter your personality, there's potential for you to become an artist if that's what you want to do. 

My Experience and thoughts...

One thing I often felt didn't quite work with the MBTI was determining a person's stress sensitivity. Whether or not an individual is more prone to positive or negative emotions makes a big, noticeable difference in one's life choices, habits and interests. Unlike another personality model- 'The Big 5', stress sensitivity wasn't taken into account with the MBTI. Take the big 5 test here. Although 16personalities.com have added a suffix of T for Turbulent / stress-sensitive types and A for Assertive types to help address this. Although this does now kind of indicate 32 potential personality types and starts to defeat the purpose of pigeonholing in order to make quick generalizations. Suffice to say, MBTI is not the perfect personality model, but is still useful.

The reason I bring this up is because unfortunately for me I'm high up on the negative emotions spectrum. A guy with the 'Turbulent' INTJ variant who's easily stressed and cautious. And so my experience of being an INTJ artist might differ from the next INTJ. I want to discuss my experiences all the same.

[Aside: Having a more cautious personality can have it's advantages. Without going in depth; You'll be less likely to get involved in risky activities or having accidents. It'll make you more aware of and considerate towards the people around you - an otherwise common criticism of the INTJ type. To know stress and negativity so well allows one to fully appreciate positivity when it does arrive.]

Why do you create the things you do?

It's a deep and interesting question.

I would speculate that the type of art you focus on i.e. the theme and style would have some correlation to your Myers-Briggs personality type. Although I'm sure other personality dimensions such as orderliness and agreeableness could be used to more likely determine the theme and style an artist tends to prefer. Our tastes are shaped by both our innate personalities, but also the experiences we've had throughout our lives. Having grown up on 80s cartoons as a kid, then moving to anime into my pre-teens ensured a desire to imitate what I thought was inspiring. Hence I went on to produce and sell a million copies of manga related art books as an adult.

Being an INTJ makes me very forward-thinking

When it comes to creating art, I'm often focused on the end result rather than process. This can be challenging when I have a 50 hour image waiting to be created and I'm not always 'in the moment'. I've often felt agitated or unsatisfied until I'm on the home stretch and working on the last 10-20% of an image.

I want to bring beauty into reality

My philosophy for creating has always been "because it looks cool". A sentiment I share with one of my favoured anime directors Yoshiaki Kawajiri. As well as comic artist Todd McFarlane. I care about the aesthetics more than the deeper meaning behind the image. Every artwork an artist creates will communicate something, but my aim is to convey my own tastes with a literal illustration. Style, technique and subject often takes precedent over producing narrative, mood, something abstract and ambiguous.

Don't get me wrong, I can walk into a modern art gallery and understand what I'm looking at, unlike the laymen who might question "what the hell is this supposed to be?", but I have little interest in producing modern art and hate the pretentious side to it. Ascribing meaning to nothing then giving yourself a pat on the back? Yuck!

I want to create perfection

If an image doesn't look as close to perfect as I'm able to produce, I'm unhappy. I'm bound by the limits of my own competency, so while I know I'll never achieve true perfection, if such a thing exists, at least I'll try to get as close to the best thing I'm capable of. Not that perfectionism is an INTJ specific trait, but there's satisfaction when the plan comes together and everything looks just right.

Expertness is important to me. In general I like to be good at everything I do. Perhaps it's some ego thing whereby I don't want to believe I'm as useless as I actually am? But certainly I'm happier when others can recognise my accomplishments. If art happens to be something I'm being praised for, then I'll continue to do it. But more important to what anyone else thinks, I want to produce work to my own self-imposed, exacting standards. 

Best suited art careers for INTJs

INTJs are not the typical, whimsical artist types. INTJs will need to find a way to make certain artistic roles work to suit their needs. I've spent the past two decades dabbling with different artistic jobs and some worked better for me than others. I list these below.

I appreciate no two INTJs are the exactly same, and in fact some won't even understand the point of art! But INJT types like myself are a testament to how it's still possible to pursue and succeed in different disciplines within the field of art and design.

Most art jobs are going to require 1- a lot of time on your own (being an introvert makes this easier) and 2- devoting a lot of time to building competency in your craft. If you happen to be an INJT, or even if you're not, here are some job options within the field of art and design:

Graphic Designer:

Graphic Design roles gives an opportunity to create but with tighter restrictions than working with a blank canvas and paint. For example, you might like the idea of exploring the subtleties of typography and becoming an expert on the use of lettering. It's direct, clean, to the point and serves a purpose. No messy paints required since it's mostly all digital. Freelancing from home might be the way to go if you don't like the idea of mixing with other employees in an office or studio.

Web designer:

Allows for planning how a site should look and function, while coding gives the mathematical and logical circuits of the brain a chance to fire up. There's something quite satisfying about being able to read a page of code as well as design the visuals for an attractive, functional site.

Illustrator:    

This can be for books, ads, promo material. I suspect that understanding the rules of art and design and then applying them is the best way to go for an INTJ type. There are rules to art such as composition and colour theory, and once those rules are established, being able to come up with a plan to maximize each design's potential is the way to go. Illustration has a clear goal to communicate something specific up-front. Often the best advertising illustrations are well thought out and witty, giving an INJT like myself an opportunity to make use of that part of my mind.

Concept Artist:

For those who love to create characters or environments for games and films. INTJs may prefer this as it requires becoming a competent technical artist. Non-INTJ artists who are keen to create but have no talent, little skill or patience may instead gravitate towards abstract, modern art or learn to blag their way to a successful art career. You can't blag a your way into a concept artist roll. Of all the artist fields, I would guess Concept art might be one of the hardest art professions to succeed in due to the fact it's so popular and already holds a large pool of highly competent artists. 

Tattoo artist:

One of the few art careers these days which will allow for a lot of time away from the screen. You'll be more likely to get praise from customers on a daily basis, which helps facilitate the need for acknowledgment of accomplishments. It means working with people and being social which introverts generally prefer minimizing, although it's primarily 1-1 communication. Having worked part-time as a tattoo artist myself for over 10 years, I can say that the aspect of dealing with customers can be challenging but has helped me grow as a person.

Animator:

Although having worked on a several basic animation projects, I've not professionally worked as an animator for any length of time. It requires technical skills and patience which an INTJ might have a better time dealing with. Although animation takes a long time to reach your future vision and it's often repetitive. Despite being a huge fan of anime, cartoons and animation, I've always been put off by the prospect of needing to devote an entire day or more just to make a character move an arm or walk from one room to other for example.

Manga / Comic Artist:

This requires high level of technical ability. If you can handle lot of time on your own, this will suit you. If you like to write and conceptualise your own stories, this is the career for you. Although most employed comic artists will end up spending much of their time working from another writer's script. Having a successful career as a manga ka (artist) or comic artist is extremely tough. I would imagine the task of conveying different emotions through characters might be a little challenging to INTJs at first also.

Fine Artist:

You'll specialise in a particular medium and concentrate on a particular subject matter and type of art i.e. landscapes, portraits. It allows for a lot of autonomy which is great, but you'll need to work on selling which will be the hardest obstacle for an INTJ as selling will involve interactions with other people either face to face or through online videos. Having the freedom to create whatever you want is the dream of many artists, but for most, monetizing your creations will be extremely difficult.

[Aside: Being an artist is not someone who does modern dance, plays drums or writes poetry. As per what was described in a Reddit thread I was reading while researching this post. All those things are considered creative pursuits, sure, but you're only an artist if you design and create something tangible in 99.9% of cases. There's no criticism towards being a dancer, musician or creative writer, however there's no point over complicating definitions.]

To finish off

While I love art, design and illustration I often wonder; if I were to re-play my life would I have chosen it as a career? It's probably too late to trade up this profession so I shouldn't have regrets. I've been doing it a while and couldn't bare to give up the 20,000 or so hours I've invested in my pursuit of art and design. I suspect that inheriting my dad's  traits (a fellow INTJ) while having an artistically minded mum encouraging my creative side would always lead me to where I am now?

I can't feel guilty for my time spent on art. And I'm sure I would engage in it even as a hobby, if not my career. To think of an idea and to then bring it into reality through one's creative endeavours is an amazing thing and a worthwhile goal. No matter your 'type', if you're making or improving something, even through analysis and carefully considered critique then you're on the right track. I would argue, to bring beauty into existence is one of humanities' most important contributions to the universe. What do you think? Are you contributing?

Thought I'd share a little gallery of photos I'd previously taken and posted on Instagram. I usually just post art on Instagram, but sometimes you just come across something interesting and want to capture or document it.

[gallery type="square" size="medium" ids="3490,3491,3492,3493,3494,3495,3496,3497,3498,3499,3500,3501,3502,3503"]

Thought I'd share a little gallery of photos I'd previously taken and posted on Instagram. I usually just post art on Instagram, but sometimes you just come across something interesting and want to capture or document it.

[gallery type="square" size="medium" ids="3469,3470,3471,3472,3473,3474,3475,3476,3477,3478,3479,3480,3481,3482,3483,3484,3485,3486,3487"]

Designing something a bit different

Most designs you find at local retailers are boring, ordinary, common or look cheap and tacky- especially this recent craze for rectangle prints on the fronts of t-shirts which look like an uninspiring ink-jet transfer paper job. A design on shirts, any other clothing, or even tattoos on skin need to be placed properly. A top-heavy shirt with a design covering just the shoulders and chest or an a-symmetric piece of artwork can look great, but most companies just churn out the same, basic, small to medium sized square or round design slapped in the centre with no consideration to flow, composition or just trying to do something a bit different.

Recently I designed a full-print shirt with one of my doodle-mech designs after stumbling upon a UK company who can process full-coverage 'dye sublimation' shirts at small quantities. Check out www.sublab.co.uk for more info. I designed the shirt to fit the provided template, then sent it back as a PSD Photoshop file. Wanted a dark purple tee with contrasting orange for a while, so here's my opportunity to get one :)

All-Over Shirt printing

There was no mention of shirt dimensions other than chest size on site at the time, so did a little research for "American apparel t-shirt" to get a fairly good idea of the size I'd need. Being 6'1" male, with a 40" chest and 35" waist, I went for a medium and it fit pretty well. Some sizes hinted at a large being more appropriate for me. Although I prefer a slightly tighter fit, so wonder if a 'small' (described as a 34-36" chest size) would have looked better on my frame? I wondered if it would be possible to find and supply your own shirts for printing to guarantee a better fit? If spending over £30 for a t-shirt, you'd hope for it to fit well as well as look good.

The design came out very nicely with colours nearly as vibrant as my RGB computer screen. Tonal contrast was lacking a touch in certain areas, which is worth taking into consideration when designing my next shirt. There wasn't enough contrast with the subtle greys on the inside neck logo, so would also look to make that darker for next time. Very fine lines don't show up so well- keeping things a little bigger and bolder is the way to go.

The biggest problem was the inevitable white creases around the seams and armpit areas. Patches, nooks and crannies where the print doesn't reach. I knew there would be a strong possibility of this happening and they looked pretty bad if the arms were raised. I manually filled these areas with a black Sharpie, which over time fades out to a grey tone. Took some effort but now looks A LOT better than it did upon arrival, and probably not noticeable unless pointed out. I'm hoping it'll hold up in the wash. I may need to try other permanent ink or fabric markers if not.

The Result

I like the idea of selling full front and back print shirt designs, but with my mark-up on top, I'm not sure people would be willing to pay £40-£50 for a single t-shirt? It may not be everyone's cup of tea, so for now I'll continue to create my own custom shirts from time to time for personal use and leave it at that. Many thanks to Sublab for providing the opportunity to try this. The shirt looks awesome!

Apologies for the poor photo quality of on my phone, but you get the idea :)

This one is a bit of a personal post. Outside of the art thing, I've got several other interests. One of which is driving and maintaining my car. A Mazda RX 8 R3.

Mazda rx8

It may not be a Lamborghini or Bugatti, but Mazda RX-8 is renowned for its distinctive design and exceptional driving dynamics, making it a standout sports car in its class. One key feature is its innovative rotary engine. The Wankel rotary engine in the RX-8 delivers smooth power delivery and high rev capabilities, contributing to a thrilling driving experience.

The RX-8's four-door configuration, unusual for a sports car, adds practicality and convenience without compromising its sporty appeal. The unique freestyle rear doors provide easy access to the rear seats, making it a more versatile choice compared to traditional coupes. The well-balanced chassis and precise steering further enhance the car's handling, allowing drivers to navigate corners with confidence.

Moreover, the RX-8 showcases Mazda's commitment to design aesthetics, featuring a sleek and aerodynamic exterior. Inside, the cabin is thoughtfully designed with driver-oriented controls and comfortable seating. While the RX-8 is recognized for its performance, it also offers a level of comfort and functionality suitable for daily use.

In essence, the Mazda RX-8's combination of a distinct rotary engine, striking design, handling prowess, and practicality sets it apart, making it a go-to for enthusiasts seeking a sports car that excels in both performance and everyday usability.

And did I mention, it looks awesome in pearlescent white?

So, what have I been up to?

Including some extensive chip an scuff repair, I gave my RX8 an extensive deep clean and detail which in total totted up to around 40 hours! Most of that was down to removing thousands of tiny black specks from the paintwork, the first step is ask yourself where to start when restoring a car and then comes the others. Still not sure if it was tar, tree sap, break dust or carbon dust from the exhaust, but it was a time consuming pain to get rid of them all. Hopefully if I keep it regularly shampooed and waxed it's not going to need so much attention in the future.

Full detail consisted of~

Alloy Kerbing Repair:
- Sand
- Primer
- Sand
- Primer
- Paint
- Blend
- Paint

Stone Chips Repair:
- Chipex Tri-coat

Exterior Clean:
- Pressure Wash
- Fallout Remover
- Shampoo
- Rinse Wash
- Claybar+ Detailer

Polish:
- Resin Polish
- Gloss Sealant
- Wax Layer

Extras:
- Tyres- Black
- Plastics- Black
- Chrome Clean
- Glass Polish

Interior Clean:
- Hoover Floor, boot etc
- Seat & Side Panels
- Leather
- Gloss Plastics
- Matt Plastics
- Glass

Results:

There was a nice sun set while I was driving along so I pulled over into a nearby lane and took these with my 'HTC One' phone. Not ideal, but with a few Photoshop contrast adjustments, they'll do :)

This one is a bit of a personal post. Outside of the art thing, I’ve got several other interests. One of which is driving and maintaining my car. A Mazda RX 8 R3.

Mazda rx8

It may not be a Lamborghini or Bugatti, but Mazda RX-8 is renowned for its distinctive design and exceptional driving dynamics, making it a standout sports car in its class. One key feature is its innovative rotary engine. The Wankel rotary engine in the RX-8 delivers smooth power delivery and high rev capabilities, contributing to a thrilling driving experience.

The RX-8’s four-door configuration, unusual for a sports car, adds practicality and convenience without compromising its sporty appeal. The unique freestyle rear doors provide easy access to the rear seats, making it a more versatile choice compared to traditional coupes. The well-balanced chassis and precise steering further enhance the car’s handling, allowing drivers to navigate corners with confidence.

Moreover, the RX-8 showcases Mazda’s commitment to design aesthetics, featuring a sleek and aerodynamic exterior. Inside, the cabin is thoughtfully designed with driver-oriented controls and comfortable seating. While the RX-8 is recognized for its performance, it also offers a level of comfort and functionality suitable for daily use.

In essence, the Mazda RX-8’s combination of a distinct rotary engine, striking design, handling prowess, and practicality sets it apart, making it a go-to for enthusiasts seeking a sports car that excels in both performance and everyday usability.

And did I mention, it looks awesome in pearlescent white?

So, what have I been up to?

It's my RX8's 5th birthday in a couple of months time and decided to make it a little prettier by fixing dozens of chips, scuffs and giving it a thorough clean [in progress].

This is one of the more noticeable bodywork scuffs. I fixed up around 30-35 other small chips.

Repaired using the Chipex system. An 'ok' result. Better than it was, at least.

After adding some primer with a brush and a bottle of touch up paint off of eBay for £6 for the wheels, I used some of the Chipex blending solution to help level it out.

These were pretty badly curbed in places so needed a little sanding before repainting. These photos are taken after sanding and priming with the primer filling in some of the curbing gaps.

I'd say these repairs are only 85% perfect, but to professionally recondition and spray the wheels alone might set me back £200-£300, so more than adequate for an interim fix up job before perhaps having them fully restored to perfection by a pro in a few years time.

Waiting until they create a smart phone with enough capacity to house my music collection. In the mean time I've got several thousand ID3 tags to update >_<

I tried some pumpkin carving of Devilman (from Go Nagai's manga). Happy Halloween ^_^

What is Devil Man?

Go Nagai's "Devilman" is a ground-breaking and influential manga series that first emerged in the early 1970s. Created by Japanese manga artist and writer Go Nagai, the series combines elements of horror, supernatural, and action genres, and it has left a lasting impact on the anime and manga landscape.

The story follows Akira Fudo, a timid and compassionate high school student who becomes entwined with demonic forces after his friend, Ryo Asuka, uncovers an ancient secret. Ryo's revelation leads to a demonic invasion, and Akira transforms into the powerful and demonic entity known as Devilman. Unlike traditional demonic entities, Devilman retains his human heart and soul, using his newfound powers to combat the demonic threat.

"Devilman" is known for its mature themes, graphic violence, and exploration of the blurred lines between good and evil. It delves into complex topics such as existentialism, the nature of humanity, and the consequences of unchecked power. Nagai's narrative challenges conventional storytelling norms, offering a dark and thought-provoking experience that captivates readers.

The success of "Devilman" extended beyond the manga, spawning numerous adaptations, including anime series, OVAs (Original Video Animations), and live-action films. The series has inspired subsequent generations of creators and has become a cultural touchstone, influencing the development of the horror and dark fantasy genres in Japanese popular culture.

"Devilman" remains a classic in manga history, recognized for its innovation, mature storytelling, and the enduring impact it has had on the broader landscape of anime and manga.

I've been privately blogging for years and occasionally I'll blog to the public via my personal site or social media sites. I wanted to create a Blog network through the same UI instead of having to log into OM, Wordpress and Blogger separately. And also wanted to have a primary master Blog which re-posts to social media sites to save potentially posting the same info on multiple platforms to different audiences.

I'm getting there!

I've set up Wordpress Multi-site, installed a few plugins which should do the trick and added some basic customization to my private and public blogs. Now I am trying to figure out what to post and to where- should I keep things fairly general, allow more personal posts to be shared, or just share art related things? And should I re-post everything on this master blog to my Facebook, Twitter and Tumbr?

I've never got on 100% with social media. Partly because I don't have the time to update them all, partly because I don't like the idea of making all my thoughts or interactions public. Now that so many people communicate this way and since I have a handful of friends and followers who use these sites, I want them to know what's going on in my world. I also want an audience- people interested in checking out what I have to share, say and show.

I'm also wondering if I should create a separate domain for the master blog- is it worth it right now? Can I easily migrate this to a new domain or server location at a later date if needs be? - I need to figure that out. Rather than this be part of Organic Metal, I like the idea of having a new, separate, simple site just for the Blog with a few extra add on pages to house permanent info and picture gallery. Then again, I also like the idea of creating a new professional portfolio site and not sure if a personal blog would belong on it?