How about creating a manga tutorial book?
I was contacted by the publisher Arcturus about possibly working on a 'how to draw manga' title on behalf of American book giants Barnes & Noble. The Art of Drawing Manga is a 144 page book aned needed to be completed within a very short timeframe.
After devising a page by page break down of the book I roughly drew out many of the page ideas onto paper to get a feel for how it might look as a whole. It was to be a general manga style techniques book, looking at some of the typical themes an aspiring manga artist might want to learn about such as: faces, bodies, hair styles, characters in action etc. The books editor and I discussed and agreed what was needed, and I was mostly allowed free reign on the project.
What was required?
- Basically, enough content to fill 144 pages! This was delivered in the form of step-by-step drawings, a selection of eyes, hands, hair examples etc, finished coloured artworks, as well as drawing annotations and section descriptions. All artwork needed to be in a high resolution digital format ready for print. I did research into existing manga technique books on the market at the time, most popular being the Japanese "How to draw Manga" series. One thing these lacked was step-by-step processes and instructions. I wanted TAODM to show how to draw, rather than just presenting more or less finished works. The fact it was to be a full colour book was also a definite plus.
MANAGING THE PROJECT
It was clear at the start that this would be a tough project with such tight deadlines. It was important to plan out what was needed for each section and to work out a time schedule. I realised early on that it would be impossible to complete the project alone. I asked a couple of online artists I knew [Kim Loh and Dan Fielding] if they'd be interested in having some of their work published in the book in exchage for exposure and aknowledgement at the begining of the book- they agreed, as did my brother James who helpped with writing and scanning. The book's editor Matt Smith also helped with written content for the pages. It became a mini project management role so it was essential I kept up to date with everyone else's contributions and that I delegated work appropriately.
After supplying the material, it was the book designer's job to lay it out on the page. Some of these pages are shown below:
The good thing about the Materials section is that it doesn't tell you what media to use, but explains why you might use a certain tool, allowing the reader to experiment or use what they feel comfortable with. Sometimes explaining a technique will only get people so far.
The clothing page shows examples to illustrate how a three dimensional piece of material can be drawn in a two dimensional/ manga style form.
The comic/ story board pages show progression from initial sketches (not all artwork starts in a glossy coloured format).
Two stages illustrating manga characters brawling in the Action section.
As these sorts of books go, it's a pretty good product! It's cool for me to see my work in print and to hear positive feedback from people who bought the book, had a go and have improved their drawing skills.
It's sold over 170,000 copies around the world including USA, Canada, Australia and Europe, and has been translated into German, under the names Manga Zeichnen für Freaks and Manga zeichnen für Einsteiger Spanish under the name El arte de dibujar manga and Polish under the name Manga Sztuka Rysowania. On top of this, Barnes & Noble released a Drawing Kit version, which included a smaller 80 page edit version of the book called Drawing Manga in Simple Steps plus art materials- pencils, paints, ink etc.
The book has had a good run and came out just at the start of the 'manga tutorial book boom'. I never expected it to become so popular and had wanted to create a superior, updated book for many years, which came in to fruition in 2016 in the form of The Artist's Guide to Drawing Manga.
Matt Smith,Senior Editor, Arcturus Publishing Ltd.
It has been an absolute pleasure working with you on the various projects over the last year. I wanted to pass on my thanks for your professionalism and the sheer quality of your work - it has made my job all the easier and more pleasurable.